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Travel Diary: Seeababe Luki O'Keefe in Baja California Sur

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Luki and friends took a road trip to a legendary Baja spot. Photo by Luki O'Keefe. 

The waves at this particular unnamed Baja California Sur spot are rumored to be so perfect and infinite that you’re better off getting picked up at the end and driving back up to the top of the point than paddling back. Seeababe Luki O’Keefe and friends drove from SoCal to the surfing heaven south of the border and the sea glass colored waters and desert sunsets proved well worth the two non-stop days of driving to get there.

Read on for Luki's stunning sunset pics, more pristine wave photos that'll make you want to book a plane ticket, and find out how Luki and her friends were saved from the storm by a friendly local!

Photos and words by Luki O’Keefe & Friends

It took us two full days of driving without air-conditioning in 100 degree heat to get to the bay, which made our sunset arrival something to really celebrate. We parked on a cliff and set up camp. It’s pretty surreal living in a tent that opens up to a perfect right point break for over two weeks.

The best sunsets. Photo by Luki O'Keefe. 
Setting up camp the first night. Photo by Luki O'Keefe.

Epic view from the tent. Photo by Luki O'Keefe.

Good morning! Off to the waves. Photo by Luki O'Keefe.
Photo by Luki O'Keefe and friends. 

Most days we would wake up before or at sunrise because after sunrise our tents turned into ovens!

It was perfect waves with a very minimal crowd consisting of basically only my friends. Despite Baja Mexico’s sometimes-sketchy reputation, we felt only good vibes from locals and people passing through from all over the world.

Photo by Luki O'Keefe and friends. 
Emily wears the Pacifica Legging in Red Flower. Photo by Luki O'Keefe.
Photo by Luki O'Keefe.
Really, this wave just kept going forever, and over and over. Photo by Luki O'Keefe.

Photo by Luki O'Keefe.
Photo by Luki O'Keefe. 

We surfed basically all day every day until the first hurricane (Norman) hit. We thought we could muscle through it but after almost losing our tents to the wind and rain we decided to start looking for shelter.

A local lady named Teresita approached us randomly and said that she "just felt compelled to talk to us." She ended up having an extra place for us to stay while the hurricane passed for a very inexpensive fee that was waived when we cleaned out and rebuilt her vegetable garden. After three nights at Teresita's we decided it was safe to camp again.

All in all, the trip had the most stunning moon rises I've ever seen in my life, not to mention epic stars and full moon that lights up the desert sand.

Single fin log life. Photo buy Luki O'Keefe.

Because we'll never tire of this view. Photo by Luki O'Keefe.

Meet Luki's friends! 
Thanks for the memories Baja. Photo by Luki O'Keefe. 
KEEP ON WANDERLUSTING:




Seea in Sayulita: Point Break

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Hallie Rohr in Mexico, wearing the Seea Mundaka Wrap Top and Leucadia Bottom in Luna. Photo by Luki O'Keefe.

We may have come to Sayulita for the Mexi LogFest contest, but what we remember the most are the down days off — scrambling barefoot through the jungle, the salty hot wind as we zipped on a panga boat to find point breaks in the nooks and crannies of the vast Mexico coastline, and the waves. Oh, the perfect rights all to ourselves until the sun sank into the horizon.

The Seeababes rolled 10+ deep with friends to the Festival Sayulita in the Riviera Nayarit area of Mexico, held Jan 14-18, 2015. Rules stated: “Judging is based on traditional longboarding with heavy emphasis on style."

When we weren't roasting on the beach to cheer on our frends during the contest — Congrats to Seeababes Hallie Rohr and Mele Saili who placed third and fourth, respectively in the Women’s Division! — we filling up on glassy point break stoke. Hop on the panga boat with us the rhythm of dark water flowing into whitewash curls.

All photos by Luki O'Keefe.

Feels good to be back! Not our first time around this block, and we couldn't be happier. Photo by Luki O'Keefe.
Enjoy the journey. Hallie Rohr wears the Seea Mundaka and Leucadia in Luna. Photo by Luki O'Keefe.
Boat life. Karina Rozunko in the Chicama Top and bottom in Rosa. Photo by Luki O'Keefe.
Surfing is better with friends. Karina in Chicama in Rosa and Hallie in the Mundaka Top in Luna. Photo by Luki O'Keefe.
Jump in! Karina wears the Tofino One-Piece. Photo by Luki O'Keefe. 


Karina in the Chicama in Rosa. Photo by Luki O'Keefe.
Karina in the Chicama in Rosa. Photo by Luki O'Keefe.
Underwater view. Photo by Luki O'Keefe.

Our fearless tour guide, unofficial mayor of Sayulita, and connector Israel Preciado. Photo by Luki O'Keefe.

Flying! Hallie Rohr wears the Palomar Crop top and Leucadia bottom. Photo by Luki O'Keefe.
Lola Mignot is right at home, wearing the Zuma. Photo by Luki O'Keefe.
Rare break from behind the camera, Luki O'Keefe in a new neoprene suit, coming soon! Photo by Luki O'Keefe.
Our resident guy pal on the trip, Nathan Strom winner of MexiLog Fest. Photo by Luki O'Keefe.

Yeww soul arch! Nathan Strom. Photo by Luki O'Keefe.

Luki tests out the new neoprene. Photo by Luki O'Keefe.

Water break. Karina wears the Tofino. Photo by Luki O'Keefe.

Feels like slow motion. Karina wears the Chicama Top and Bottom in Rosa. Photo by Luki O'Keefe.
Hallie wears the Mundaka Top and Leucadia bottom in Luna. Photo by Luki O'Keefe.

MORE TRAVEL AND BEACH FASHION



Wanderlust With Us: Seeababes Winter Escape Pinterest Contest

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Click for details on how to enter to win a Seea suit!


Winter, we love your chunky knit sweaters, brisk morning air, and cinnamon spiced lattes, but really, planning a tropical getaway to warm waters south of the equator is what heats us up.

Where would you want to go if you could escape winter right now? And what Seea suits would you love to pack with you? 

Wanderlust your warm water surf getaways with us on Pinterest and you'll get a chance to win one of the suits that you pinned! Click HERE to find out how to enter!

Get into the mood by checking out our Pinterest boards! 

We left our heart in Sayulita. Check out what we'd love to bring to this rad little gypsy surfer spot in Mexico. 
Take the long journey to this Fiji island in the middle of the sea and the rewards are many. You can even buy Seea at Tavarua Island Resort if you forgot something! Check out our must-pack list.
Full disclosure: it's not summer in Italy now. But we can still dream about it and scheme for the future. Click for Italy fun on our Pinterest! 

CLICK TO ENTER! 




Seea in Sayulita: Before Sunset

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Day in the life of Lola Mignot, wearing the Zuma One-Piece in Black Stripe. Photo by Luki O'Keefe.

Being on vacation, the passing days move slow and fast in the same instant. Punctuated by the shifting tides, wind, the next meal, the sun’s place in the sky — every moment is the best moment and then evaporates in a blink by the time a week is through.

Take a peek into the lazy days of the Seeababes during their last trip to Sayulita, Mexico for the MexiLogFest. From sunrise to sunset, we lounged around Lola Mignot’s home base, cooled off in the ocean, napped on the hot sand, and reveled in watching the sunset like it was our last night on vacay.

Featuring Seeababes Lola Mignot, Karina Rozunko, Luki O'Keefe, Hallie Rohr, and Makala Smith. Photos by Luki O'Keefe.

Look out for these new Seea suits dropping right around the corner in March! SIGN UP to be in the know.

Catching dreams. Lola Mignot on the left wearing the Zuma One-Piece in Black Stripe. Karina Rozunko on the right wearing the Capitola Top and Solimar Bottom in Black Stripe. Photo by Luki O'Keefe. 

Lola Mignot on the left wearing the Zuma One-Piece in Black Stripe. Karina Rozunko on the right wearing the Capitola Top and Solimar Bottom in Black Stripe. Photo by Luki O'Keefe.
We woke up like this. Lola Mignot in the Zuma One-Piece in Black Stripe. Photo by Luki O'Keefe.
Let loose. Lola Mignot in the Zuma One-Piece in Black Stripe. Photo by Luki O'Keefe.
Photographer Luki O'Keefe in the Chicama Top in Cable Knit.
Through the woods. Lola Mignot in the Zuma One-Piece in Burgundy. Photo by Luki O'Keefe.
Spot check. Lola Mignot in the Zuma One-Piece in Burgundy. Photo by Luki O'Keefe.
Karina Rozunko in the Palmas in Nautique. Photo by Luki O'Keefe.

Beach relaxing. Lola in the Zuma in Burgundy, Karina in the Palmas in Nautique. Photo by Luki O'Keefe.
Karina in the Palmas in Nautique. Photo by Luki O'Keefe.
Lola in the Zuma in Burgundy. Photo by Luki O'Keefe.
Dude time. Photo by Luki O'Keefe.
Yeww! Small wave fun. Lola in the Zuma One-Piece in Burgundy. Photo by Luki O'Keefe.
Lola in the Zuma One-Piece in Burgundy. Photo by Luki O'Keefe.
All day long. Karina in the Palmas in Nautique. Lola in the Zuma in Burgundy. Photo by Luki O'Keefe.
Karina in the Palmas in Nautique. Lola in the Zuma in Burgundy. Photo by Luki O'Keefe.
Hippie paradise. Photo by Luki O'Keefe. 

Hallie in the Capitola Top in Blue Tide and Maderas shorts in Deco Waves. Photo by Luki O'Keefe.

BFFS. Lola wears the Palmas One-Piece in Nautique. Karina wears The Capitola Top and Solimar Bottom in Black Stripe. Photo by Luki O'Keefe.
Sunset dance. Photo by Luki O'Keefe.
Karina in the Capitola Top and the Solimar Bottom in Black Stripe. Lola in the Pacifica in Nautique. Photo by Luki O'Keefe.
Splash! Photo by Luki O'Keefe.
Karina in the Capitola Top and Solimar Bottom in Black Stripe. Lola in the Palmas in Nautique. Photo by Luki O'Keefe.
Yay! Photo by Luki O'Keefe.
Double Yay! Photo by Luki O'Keefe.
Reunited! Makala Smith (in the Tofino One-Piece in Blue Tide) booked her ticket to Mexico and arrived in 24 hours. It's not a party without her! Photo by Luki O'Keefe.
Lola in the Palmas in Nautique. Photo by Luki O'Keefe.
Lola in the Palmas in Nautique. Photo by Luki O'Keefe.

MORE TRAVEL & BEACH FASHION:

Seeababe Makala Smith is a Wild Card

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Welcome Makala Smith to the Seeababes family! Photo by Luki O'Keefe.

If only we could bottle Makala Smith’s particular flavor of stoke and gain a zap of her electric superpowers. Whether it’s charging bombs at the Point at SanO, trimming in little ankle biters, or wiping out with panache, her carefree attitude can uplift and unwind the most uptight of personalities.

She’s our favorite wild card that will drop everything to go on a last minute surf safari — like that time she went with us across the boarder to chase swell, and then again this year she bought a ticket and was paddling out with us in Sayulita, Mexico within 24 hours. 

A fellow retro style junkie, Makala used to wear vintage swimsuits in the water — despite the non-stretch fabrics with too-big bullet bras and too-tiny waists. That’s dedication. Thankfully she doesn’t sacrifice comfort any longer and you’ll most often see her in the Seea Riviera one-piece and leggings. 

Bombs away. Photo of Makala Smith by Luki O'Keefe.

Growing up in a creative surf family in Dana Point, California, Makala has played in the waves with the local dudes (her dad being her main influence) for as long as she could remember. “Hallie Rohr and I would get dropped off at the jetty with the boys around 7AM and wouldn't get picked up till 7PM,” Makala says about her summer vacation routine. 

In honor of Makala Smith joining the Seeababes family, we caught up with her to get the scoop on her latest "spontaneous combustion" travels. 

Makala is our surf leggings specialist! Photo by Luki O'Keefe. 

You went to Australia for the Byron Bay Surf Festival last year! Where else did you go in Oz? 

I was mainly in Sydney area traveling anywhere from five hours south of Sydney or eight hours north this trip! For sure got to know a lot of good towns and better than just driving through it. All of the Northern beaches of Sydney are the most beautiful places! When we went earlier last year with all the Seeababes, we road tripped to Noosa. We saw all of the coast — was amazing! 

What did you love about the culture in Australia?

The culture over there is way different. I loved the underdeveloped land once you leave Sydney. The coastline isn't straight like ours with every bluff over the ocean with a house on it. It's jagged and empty along the way. The people are different everywhere you go. It's very spread out. In most beach communities there's surf culture, but they’re all different. 

People still go to the beach and enjoy it, but there's nothing like south Orange County beach culture. It's a lifestyle here and it's not just my friends that live it. So many people all over California live that lifestyle. Beach hangs in Cali are the ultimate.

What are your favorite local spots to surf in California and why? 

SanO ‘cause of the surf culture. It could be a terrible day for the beach and we will be having an awesome day — just always surrounded by good people. 

Makala Smith levitates in the Pavones bikini. Photo by Luki O'Keefe.

What do you like about surfing with girls? 

Surfing with the girls is the best. We get the best party waves. We are always laughing and being obnoxious. We have the best time just messing around! Same with the guys though, not much difference, I learn from my peers and surfing with all them is what makes us grow in surfing! 

Who do you look up to in surfing? 

Lisa Anderson was my favorite surfer growing up and still is. Belinda Baggs and her grace in surfing has influenced me and my style a lot. 

Makala in Mexico last year, wearing the Chicama bikini. Photo by Luki O'Keefe. 

What do you usually bring with you on any surf trip?

Must bring on a surf trip: water water water! A bikini a wetsuit jacket (depends where you go), sunscreen is a must, a good lunch or snack and a towel that's all you need really! In the van [at home] I always have a couple quivers: a short board, a log and my old mal, all my Seea gear — it's always the hardest to pick what to wear! —wetsuits, water and snacks.

What’s your surf travel style? 

With [going to Mexico with Luki O'Keefe last year] it was totally last minute, go with the flow. I love doing that! Most surf trips are like that. Spontaneous combustion is what we like to call it.

Even Noosa [last year], we planned the flight but when we got there we had no idea what we were doing other than road trip. Like, no idea where we were going at all! Five girls with guys we barely know, just went for it and had the best time ever! It's good to plan ahead in certain areas but you never know where your trip is going to take you! That's why it's an adventure.

Makala in Mexico, wearing the Palmas surf suit. Photo by Luki O'Keefe. 
Makala on the water. Photo by Frank Gazzola. 

You booked your ticket super last minute to meet up with the rest of the Seeababes in Sayulita. What made you change your mind?

It worked out perfectly. I got to work the five days I was scheduled — the previous week when the girls were there. I was so jealous when I was dropping them off at the airport. But I just told myself, “focus on Noosa [Festival in March] you need to save your money.” I did finally got over the jealousy. Well kinda...” Then the girls called me saying, “Come on! It's not the same with out you. We have all the Seeababes but you! We need the final piece to our trip, we need you dude. Get your butt here now! At first I was like, “No way dude I gotta work! But ohhkaaaay I'll check it out…"

Tickets were only $350 round trip And I was like, “Done! Sold! I am coming!” I bought it while I was at work and left the following morning at 6AM so my good friend Andy Neiblas took me to LAX [Los Angeles International] airport at 4 AM. I arrived in PVR [Puerto Vallarta, Mexico] at 1PM. So stoked! Best last minute trip! Everything happens for a reason.

Makala's awesome style. Photo by Luki O'Keefe. 
Makala hangs heels. Photo by Luki O'Keefe. 

Was it worth it? What were your best memories of that trip?

Something I'll never forget from Sayulita is the vibe and the spiritual side of it all. There's so much history of that town and you can feel it through the people. The energy that everyone holds is so strong and it’s brought out in people whether it's good or bad. For me, it made me open my head and I love not having a phone, just taking morning strolls along the beach and meeting so many beautiful souls that touched me along the way. Just exploring is so amazing whether there's surfing involved or not.

One of my favorite days with all the girls was the day we walked from Lola Mignot’s house around to this beach and body surfed. The walk was so unreal, so beautifully breathtaking you can hear the birds and the bugs squishing in your toes. I could open a little vintage boutique and never come back!

Thanks Makala and welcome to the Seeababes family, we are so stoked to have you!

Makala in the Palmas surf suit. Photo by Luki O'Keefe. 
Makala  in the Pavones bikini. Photo by Luki O'Keefe. 

MORE STORIES FEATURING MAKALA SMITH:

Seea on Set in Italy: Following the Wind from Florence to Sicily!

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How we roll. Seea in Italy! 

Why did we pick Italy, of all coastlines in the world to take the Seeababes for the 2015 photoshoot? As the homeland of designer Amanda Chinchelli, Italian tile architecture, striped beach umbrellas and colors of red wine were an inspiration, so Sicily and Tuscany felt like the perfect backdrops for the patterns and colors of the new collection.

Capturing the distinct culture of Italy’s historic cobblestone streets and romantic old world countrysides — gorgeous! No problem. Looking for waves, however, made the trip into a crazy mission full of surprises and serendipitous encounters along the way. Come along on our hunt for waves and all the twists and turns that make traveling an addictive experience.

Mele and Jenayl at the Ponte Vecchio in Florence. 

First stop: California Seeababes Mele Saili and Jenayl Peters arrive in Florence! We spent the day taking them to see some of the famous places in Florence and then planned our next move.

Seeababes in Florence! Jenayl wears the Laguna Pant and Mele wears the Windansea shirt. 
Seeababes in Florence! Jenayl wears the Laguna Pant and Mele wears the Windansea shirt.

Seeababes in Florence! Jenayl wears the Laguna Pant and found an admirer.

The swell in Italy is very dependent on active wind. Supposedly Tuscany had bad weather but waves all summer. When we got there, the weather was finally normal summer loveliness, but no waves.

An illustration of the Italian wind directions from Bagni Nettuno. 

We checked with the Onde Nostre crew (stylish insiders of the Italian surf scene and filmmakers) and master wind reader Alessandro Ponzanelli aka Nelly and decided to go south. Alessandro is a Bing team rider, our go-to surf guide, wonderful video and photo assistant, plus a cute babysitter for Annabel!

From Florence all the way to Sicily! Map courtesy of rome2rio.com 
The long journey to Sicily. Photo by Mele Saili.
Map of Sicily. We headed for the eastern coast. 

After a night ride in the sketchiest ferry directed to Tunisia we arrived to Palermo and then drove to Catania to check the first spot. It was super windy but no waves. What to do? Like true Italians, we had a wonderful seafood lunch and white wine.

“Italy is a very beautiful culture. Everything is so inspiring whether it was the art, architecture, food, or even the people themselves. Each part holds a stoic sense of pride and quality that I haven't found anywhere else I've traveled,” Mele says of her first time in Italy.

Lunch in Catania. 

On the way to Siracusa, we stopped at a beautiful beach surrounded by lemon trees. It was made for photos at sunset. Some mini waves were happening and the girls tested the first warm seawater on the Mediterraneo!

First sunset in Sicily. 
Shooting in the lemon field at sunset. Photo by Cristian Corradin. 
Shooting in the lemon field at sunset, stylist Betta Dal Bello makes sure the wardrobe looks its best. Photo by Cristian Corradin. 
First waves in Sicily! 
Filming in Sicily. Photo by Cristian Corradin.

Exhausted, we spent the night at the awesome Hotel Gutkowski. and spent the night walking the alleys of Syracusa, a magical experience that felt like stepping back in time.

Welcome to the Hotel Gutkowski. Photo by Jenayl Peters.
Inside the Hotel Gutkowski. 
Betta does her styling magic in the Hotel Gutkowski. 
Master wind reader and cute babysitter, Alessandro Ponzanelli. 
Inspiration is all around you. The patterns on the floor of the Hotel Gutkowski. 
The next day we woke up with beautiful sunrise of Ortigia and then found some waves in the beach of Noto. With some active wind, it was still fun. No matter what your reason is for being in Italy, sitting down for a meal with friends is a highlight every day, especially tasting all the different foods of each region. After surfing in Noto, we found granita and brioche to snack on!


It doesn't get any better than this. Sunrise in Ortigia. 
Sunrise in Ortigia. 
Arriving in Noto. The color of the water is unreal! 
Stylist Betta Dal Bello organizing the looks in Noto. 
Seeababes at the beach of Noto. 

Next stop, Isola delle Correnti. Too bad it was completely flat, but we found this awesome guy who was selling zucchini out of his Fiat Ape and asked him for a ride. How could he say no to us? :)

You can't make this up. Style for days. Thanks for the lift! Photo by Ale Ponzanelli.
Hello Isola delle Correnti!

Riding this sweet mobile in Isola delle Correnti. Photo by Cristian Corradin.
Just cruising around Isola delle Correnti.

The crew hard at work. Photo by Cristian Corradin.

Stuffed with the best rice arancini (typical fried rice balls from Sicily) we made to another beach around the corner with some good size messy waves and the girls showed off with style how its done!

After such a long journey, to finally find waves was a blessing. "In Italy, you wait for a windswell and you hope to get lucky when you arrive at the place where the windswell was supposed to hit," Jenayl says.

"The background of the waves were a stunning sight to see, but even if the waves aren't perfect, everyone is stoked to have something to surf. It was fun to feel that stoke out there with the other Italian surfers, who seemed pretty excited that people came from California to surf in Sicily!"

Mele says, "the Italians appreciation for surfing is what was the most inspiring. Traveling about 20 hours down the entire country to find a wave made me appreciate the consistency and variety of waves we have here in California. Italian surfers have a special driven love for the sea, because it takes dedication to pursue this sport in a country with such fickle surfing conditions."

Finally we get some waves! Photo by Cristian Corradin.
Mele in the Tofino. Photo by Onde Nostre. 


Filming from the beach. Photo by Cristian Corradin.

The last day we explored around Syracusa, hung out in the terrace of the hotel and indulged in some more arancini. "The thing I tell people most about the trip was how good the food was. Easily the best I've ever had," Mele says.

Stay tuned for Part II of our Italian Adventure. From Sicily, we head to the Tuscany vineyards! And more food and wine, of course. :)



Mele in the middle of an Italian lesson on the terrace. 
Syracusa style! Jenayl, Betta and Mele in Italian fashion. 
The streets of Syracusa. Photo by Onde Nostre. 

KEEP TRAVELING WITH US THROUGH ITALY


And the winner of the Seeababes Winter Escape Pinterest contest is...

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From jaw-dropping waterfalls in Hawaii, to tasty post-surf tacos in Mexico and insanely perfect and crystal clear waves in the Maldives, we had so much fun discovering new corners of the globe through your pinned photos. Thanks to everyone who shared their dream vacations with us on Pinterest!

After much debate, the two winning boards are:

Gracie's Phuket, Thailand adventure that was full of inspiring colorful sights and many accessories that we wanted to take with us there!



Robin Brown’s Morocco wonderland that made us hungry for savory Moroccan food, street bazaars shopping and point break waves!



Congratulations to the winners!

MORE TRAVEL:

Diving with the whales and Seeababe Chrystal Dawn Fitzgerald in Tonga

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Chrystal Dawn Fitzgerald wears the Riviera One-Piece in Rosa in the clear blue waters of Tonga. Photo by Ming Nomchong.
Whatever you imagine to be the most heavenly tropical island— water so clear you can see straight to the bottom, eggshell white sand, and rustling palm trees overhead as you sink into your hammock — Tonga exceeds the imagination with a magical ancient beauty that feels like the world before time.

The Kingdom of Tonga’s cluster of islands in the middle of the South Pacific ocean are barely a speck on the world map next to the nearest bodies of land: Australia and New Zealand. As one of the oldest Polynesian settlements, many of Tonga’s islands have retained much of their native, uninhabited state, and the eco resorts on the larger islands take care to be holistically integrated with the native land to preserve it's natural splendor.

Photo of Tonga by Chrystal Dawn Fitzgerald. 
Photo of Tonga islands by Chrystal Dawn Fitzgerald. 


Here, Seeababe Chrystal Fitzgerald shares her unforgettable experience of meeting creatures of the deep blue sea in Tonga last year with friends Lauren L. Hill, and photographer Ming Nomchong.

By Chrystal Dawn Fitzgerald

Majestic and wild, the Kingdom of Tonga is 21 degrees south of the equator in the Polynesian Triangle. Tonga is remote, pristine and her people strong and proud of their unique culture.

It took two full days of international and domestic flights, airport transfers and a boat ride for my dear friends writer Lauren L. Hill, photographer Ming Nomchong and I to arrive at our destination, Eueiki Island in the Vava’u Island group of Tonga, and the beautiful eco resort, Treasure Island Eueiki.

Sitting on the dock of the Tonga bay. Photo by Chrystal Dawn Fitzgerald. 
Chrystal Fitzgerald wears the Riviera One-Piece in Rosa, coming soon. Photo by Ming Nomchong. 
Home sweet home for the trip. Chrystal wears the Swami's Playsuit in Tiles, coming soon. Photo by Ming Nomchong.

The 22-acre private island of Eueiki is completely self-sustaining, using solar power, rainwater tanks, and traditional thatched fales (bungalows). Locally staffed and operated by conscious caretakers Veronica and Mark Belvedere, Treasure Island is a haven of coconut trees, rain forests and white sand is surrounded by colorful shallow coral reefs that drop off to fathoms within a few feet from the shore. The clear cosmic blues — hues from every imaginable mix of ocean, sky, and elsewhere dreamy— juxtapose the rich greens, thick sand and earthy thatched bungalows in a seamless marriage of tropicana that transfixes the soul.
This is Tonga, all alive, and flourishing, hardly touched by our modern western society, still raw, real and honest to nature’s grand design. Tonga is free and breathed life into me with her Mana [Hawaiian word for the life force or energy that flows though everything and everyone].

Chrystal wears the Swami's Playsuit in Tiles, coming soon. Photo by Ming Nomchong.
Chrystal wears the Swami's Playsuit in Tiles, hanging around with Lauren. Photo by Ming Nomchong.

Eueiki and the Vava’u islands were mesmerizing. We enjoyed every moment, constantly saturated with salt—water activities, and on the lookout for migrating humpback whales.

Ming, Lauren and I adventured by day with the guidance of the islands caretaker Mark, and Tongan waterman Nolo. We swam though underwater caves to hidden chambers, kayaked to nearby islands and explored the surrounding reefs. When the sun went down we ate ‘til our bellies were busting of local staff Fitu and Luella’s home cooking, sang songs fireside under the stars, and fell asleep to the sound of the elusive cetaceans breathing just off shore.

Chrystal taking a quiet moment to soak in the surroundings. Photo by Ming Nomchong. 

Chrystal wears the Gaviotas One-Piece in Tea Leaf. Photo by Ming Nomchong.  
Chrystal wears the Doheny in Luna and Ensenada bikini bottom in Nautique. Photo by Ming Nomchong. 

Spending our time playing in the tropical waters and soaking up the serenity of the Eco resort were blessings enough, yet we had really hoped to swim with whales. To learn more about these mammoth cetaceans we met up with our scientist friends Malia Rouillon and Alice Forrest, from the Australian conservationist group Protect the Reef. The two along with a team of others were stationed in Vava’u doing research. 
According to Malia's organization, Sirens for the Sea, these South Pacific humpback whales were hunted to near extinction in the 20th century. Now protected, their populations are growing. Whale watching and whale swims have aided in bringing awareness and education about them. The humpback whales migrate from their feeding grounds in the Antarctic to the warm waters of Tonga, to mate and give birth to their calves from late July though October. Tonga is one of only three places in the world where swimming with these humpback whales is legal, and is the main reasons we chose to visit Treasure Island Eueiki.

Close encounter with these special ocean creatures. Photo by Chrystal Dawn Fitzgerald.  
On our final day at Eueiki, Mark and Veronica’s trusty dog Honyo sounded her signature whale alert of rapid barking along the shoreline. Led hastily by Mark and Nolo, the rest of us piled into the wooden outrigger and set out to sea. Honyo is renowned for her gift with knowing when whales were near, even when they were far out of sight, was right yet again.

Within minutes gliding on the wooden outrigger that Mark built, three gentle underwater giants graced us with their company. Nolo led our intimate group four at a time, to swim with a full-grown mother, playful baby calf and large male escort. Excited and humbled we marvelled at the grace of their movements, agility, and deep peace that they emanated. High pitched sounds of what I felt were curiosity and wonder rang froth from the calf, as deep songs of guidance reverberated the waters from below as the mother whale, and male escort, too embraced our presence.

This experience was deeply profound, inexplicable on so many levels and totally unforgettable. Being in the company of, whilst swimming alongside these majestic mammals was a dream come true. There is a vital and delicate balance to be upheld in these encounters with whales, and the respectful ethical practices of Captain Mark and his team were exemplary throughout.


Lauren and Chrystal off to the waves. Photo by Ming Nomchong.


The morning after our miracle swim with the whales at Eueiki, we departed to Tongatapu, Tonga's main island, to ready for our flight home to Australia. In sync with divine timing as our entire trip had been, just hours before our flight, Lauren, Ming and I scored fun waves at Ha’atafu beach. We surfed the clean reef pass ‘til our taxi arrived to whisk us away to the airport. Sandy feet, wet hair and salty as can be, we boarded our plane home, filled with gratitude to the Kingdom of Tonga, all her people, islands, whales and waves, for the trip of a lifetime!

Frothing waves. Photo by Chrystal Dawn Fitzgerald.
Chrystal drops into a fun wave in Tonga wearing the Gaviotas One-Piece. Photo by Ming Nomchong.


Special thanks to photographer Ming Nomchong and Lauren L. Hill as companions in the journey.

Get closer to the whales in this special video by Chrystal!


Chasing the Sun Tonga: Treasure Island Paradise from Sea Gypsy Films on Vimeo.
KEEP TRAVELING: 

Seea on Set in Italy: Still waters, Iconic Italian Culture in Tuscany

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Enjoying the still waters of Tuscany.

Pretty much any surf trip is going with the flow of the weather, and chasing the windswell to Sicily was the best window of surf we got. Our next destination, Tuscany was about slowing down to breathe in iconic Italian village culture. We hopped back onto the ferry north to Tuscany, a region known for an old world pastoral countryside that yields great food and wine. Our kind of place! We stopped in Bolgheri, a famous town full of food and wine shops, brick houses and charming little village shops.

Back on the ferry on the way to Tuscany. Photo by Onde Nostre.
The Viale dei Cipressi that leads to Bolgheri. 

Upon arrival to Bolgheri, we met up with some friends who have businesses in the area. Lorenzo Stefanini from Naïve store came to say hello and brought an awesome red Alfa Romeo for the girls to drive around. The scenery of the streets — be it the people, buildings or walking on the road — had so much character.

Thanks Lorenzo for the ride! 
Tuscany roads are meant to be driven upon in a car like this. 
We enlisted some local models  in Bolgheri.
Bolgheri ladies know how to live it up! Photo by Cristian Corradin.
Seea's Belmont Romper, Maderas Shorts and Palmas worn with Italian street style. 
These colors! So good.
We also ran into old friend Luca Fiorini who has a really cool restaurant and concept store called Bolgheripiu, where we had dinner and especially drank a lot of local wine.

Welcome to Bolgheripiu! 
Inside the store of cool curated goods from local designers.

Dinner in Bolgheri. 

The night we stayed at the beautiful Casale del Mare an agriturismo with horses vineyards and ocean view.

Tuscany's countryside really wowed us. Northern California has vineyards and expansive agricultural landscapes, for sure, but the Seeababes were stunned by the beauty of the land, the character of the people and stone wall buildings.

“My favorite location of the whole trip was driving through the wine vineyards, in Tuscany, with all the girls in the car and everything was golden from the sun setting. It was like a scene from a classic film,” Mele says.

Tuscany won Jenayl over too. “Tuscany was my favorite place, I felt like I was walking into a movie set. It was quaint and stunning and everyone, even the locals were in tune with the beauty and appreciation of what is was all about,” Jenayl says. “One of my favorite observations of Italy was that when friends and couples would go out, it seemed everyone dressed with class and was out to enjoy each other's company and have a good time. Everyone walks everywhere and you can tell they are breathing in the beauty and culture of Italy!"

View from our room in the Casale Del Mare.
A little bit of rain this time of year. 
The typical weather at the end of summer in Italy is cloudy and rainstorms, so we enjoyed breakfast during the rain and as soon as it stopped we went visit Andrea Nacci, good friend, great surfer and owner of Bagni Nettuno, a historical riviera beach, the next location for our photoshoot.

There can be waves at this spot that are quite fun, but when we were there it was glassy and completely flat so the girls went for a “pattino” ride in the lifeguard vehicle. Between shots, we cozied up with sweaters and denim jackets wearing the beautiful jewels from Ines Susaeta.

The unimitable Andrea Nacci and his quiver like no other. 
Even with no waves, the view is worth it. 
Calm end of summer. 
Jewels by Ines Susaeta.
We wrapped up the trip with goodbye photo and even a few tears as we parted ways. Special thanks to all our friends who showed us their favorite hidden gems in Italy, and our crew that made this an unforgettable trip!

Thanks to the guys who were awesome tour guides and travel companions.

That's a wrap! 
KEEP ON TRAVELING THROUGH ITALY

One with the Ocean: Meet Creative Multi-Hyphenate and Seeababe Leah Dawson

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Welcoming Leah Dawson to the Seeababe family! 

Uncategorizable and one-of-a-kind, Leah Dawson smashes preconceived notions. She speaks with the wisdom and humility of an elderly soul, yet has a childlike wonder, awe and hope of the world. Back in the 2000s, she became known for her career as a women’s longboard division competitor, but today the all-around waterwoman is addicted to getting barreled while riding weird vintage single fin boards that would confuse thruster devotees.

Originally from Florida, Leah now calls the North Shore of a Oahu and a mermaid-shared “hen house” her home. When she's not surfing her face off and championing for environmental and health causes relevant to the islands, she goes where her passion for creating music, visual media and experiencing new waters takes her. 

We met Leah through the global sisterhood of lady surfers and have admired her uninhibited and powerful surf style from afar. The more we got to know Leah and her dedication, intelligence, mindfulness and generous spirit, the more we love her.

We caught up with Leah before she headed off to the Noosa Festival of Surfing to learn more about this inspiring child of the sea.

Pure style. Leah Dawson wears the Gaviotas. Photo by Doug Falter.

What are your first memories of surfing? What keeps you surfing and making it an essential part of your life?

When I was three, my dad put me on the front of his board. I remember it vividly. I remember being amazed by the natural playground of the ocean, and that the earth made waves for us to play on.

This admiration of the ocean has only grown, and it has remained the most influential aspect of my life. I know myself more, because I talk to the sea, I laugh with her, I learn from her. I have learned respect. I have learned to ask permission. I have learned that there is order in chaos, and to predict the unpredictable is magic. My love for the ocean, and the connection it gives me spiritually to my surroundings keeps me falling in love with life every time my toes touch the water. And with surfing, there is no end to evolution. There is always growth and change to be made. For that, I continue to seek my wildest sea dreams :)

Leah Dawson on her single fin. Photo by Doug Falter.

What's your surf routine?

My surf routine changes all the time but the two things that always remain consistent is that I have to drink water and I have to stretch before I surf. The few times I have gotten injured, I've forgotten to stretch before I paddled out and so I've made a commitment to myself to always use the time right before I surf to unite myself with the ocean, ask for permission, and get my body in tuned with the water in front of me. I love putting my feet in the sand and doing a series of five stretches or so that warm my shoulders, hips, knees up. But more so it connects my soul to the ocean and gets me ready for the dance. 

If I'm home at the henhouse with my roommates we have a surf routine of always dancing in our living room before we go surfing. It's our way to get our spirit ready for the ocean — to unite ourselves and our sisterhood. It always reminds us that surfing is our celebration.

What do you always have with you when going to the beach?

The most important thing I need that I always take with me to the beach is water and sunscreen. I also love to ride many boards so I really like to bring a quiver of boards down to the beach whenever I'm going someplace other than the break outside of my house. 

Leah Dawson's stoked face. Photo by Doug Falter.

When you’re not surfing, what are your passions and pursuits? 

I think the most important passions I have is loving those around me, loving the world around me, loving my life, and seeking happiness. I do that in a myriad of ways: surfing, playing music, filmmaking, writing, practicing yoga and practicing bodywork, to name a few. 

I am pursuing a dream to positively impact the world around me. Our global environment is screaming out for help. We live in a time when awareness is critical, and change is mandatory. I feel responsible to be an agent for that change. 

What are some of the environmental projects that you are passionate about sharing? 

At the moment, I’ve been working on a short film series called The Sea Appreciation Project that speaks to inspiring appreciation for the ocean, because without appreciation for something, how are we supposed to take care of it? 

As surfers, it is our DUTY, to be the caretakers of the ocean, to clean our beaches, to make daily choices that speak towards healing rather than destroying our environment. Surfers are connected to the ocean in a way most humans aren’t. The ocean gives to us, constantly. We must give back. Every single day, the choices that we make affect our seas. Awareness is key. Appreciation is vital. 

No big deal, just getting barreled. Leah Dawson in Hawaii. photo by Doug Falter. 


Tell me about your other passions — music, filmmaking, yoga and bodywork. How does each one fulfill you? 

I love playing music because it's an endless canvas open to our heart’s creation. Playing music with others is the only other language that I know, but it’s a universal one. Music is in everyone. 

I love filmmaking because it's impactful and it's a platform to express myself and my love for the world. I believe media is the most effective way that we can create change in our world so I dedicated myself to pursuing a career in filmmaking and media making with the foundation of making positive empowering content. 

Yoga has helped me to be the person I am today. Learning about breath, oneness, patience, and flow have correlated to all aspects of my life and given me a deeper understanding of what it is to be human. 

Practicing bodywork has been a passion of mine for as long as I can remember. Touch has always been my favorite sense. I feel a magical energy when I place my hands on a receptive body. I learned when I was about 20 years old that I could create energy with whoever I was working on, and that I didn’t have to utilize my ‘own’ so to speak. In the future, I look forward to studying under a master who has been passed down an ancient technique. After that, I’ll consider it as a profession. But for now, it is my favorite way to give to those around me. Because I realized, that when I give, I receive the relaxation, and oneness within myself as well. 

Leah Dawson in gratitude and happiness. Photo by Doug Falter. 

You used to compete in surf contests. What were the most rewarding moments of your surf contest period of life? 

I compete very little these days, only when I am invited to a special event, or when an event takes place at a surf break that I want to surf with no one out! I competed in surfing consistently from age of 7 to 25, and then I lost the desire to want to be judged on the thing that brings me the most happiness. Surfing is my spiritual food. The most rewarding moments of my contest period were that of camaraderie with the other girls. Competing introduced me to some of my best friends in the world, and contest always felt like a family reunion to me. Definitely getting barreled in contests has always been my favorite moments, though they are few in numbers. More so because there were never barrels in contests, but maybe that’s why I don’t do many contests any more too! 

What do love/hate about surf contests? What role do they play in surfing? 

I love contests because it brings people together with common interests. I don’t like contests because you then have to compete against your friends. I love striving to surf my best, but not in comparison to others. It’s not about beating other surfers, or winning contests, it’s about performing at your own very best for yourself, pushing yourself, and your limits of what you think you can do. 

Contests are important to some surfer’s careers because it allows industry folk to see you, but it more connects you to the current surfers who share the same passion as you. We elevate our own surfing by surrounding ourselves with other surfers. Competing naturally makes you strive to elevate. 

Leah Dawson in the flow. Photo by Doug Falter. 

What do you love about surfing with fellow women? (and men too!) 

I love surfing with other women because there is an extraordinary energy a woman exudes when she is in the ocean. Women, historically, are elegant. When we see a woman embody this elegance in the sea, it is breathtaking. She makes it a dance. She moves with the waves, not always looking just for the maneuver, but enjoying each moment of the ride. 

Women together in the ocean are often laughing, and conversing, while often lineups are normally quiet, serious, and competitive. Women in the water exude their natural joy. 


Leah Dawson wears the Seea Zuma in Hawaii. Photo by Doug Falster. 

How did you find out about Seea, and how have you felt wearing Seea? 

I have been seeing Seea around the surf world for the last few years, admiring their clear respect for modesty and expressing innate feminine beauty. Seea is different because unlike other companies in the female surf industry, their ethic to create products and advertise them in no way exploits females as a sex symbol, but rather accentuates her beauty in a fashionable, functional, modest manner. 

Seea is committed to their morals, and the company is seeing that there is a large community of female surfers who are so in line with their same message. I don’t worry about Seea ‘selling out’ to make smaller and smaller suits, because their foundation is built from the desire of inner respect to shine outwards. 

My favorite suit is the Gaviotas suit because I feel elegant in the water, like I’m always winning the ‘best dressed’ award, which never happens on land! But besides the beauty of the suit the functionality allows me to surf in any wave, without worrying that my suit will fall off. I love the neoprene over the body, and the rash guard arms because I believe that covering up is the best sun protection we can give ourselves. Stay warm, keep your skin healthy, and feel beautiful, that’s why I love the Gaviotas. 

Thank you Leah for your kind words! You are an inspiration and we are honored and excited to welcome you to the Seeababes family!

Check out Leah at work and in motion in her latest video, "Julune: A Surf Dream in Indo."




MEET MORE SEEABABES: 

Seeababes sweep the Noosa Festival of Surfing 2015!

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Mele Saili in Noosa. Photo by Nathan Oldfield. 

The annual Noosa Festival of Surfing feels like the best global reunion. Every year, we are grateful for the spiderweb of Aussie connections that grows wider and happier with each visit. Starting at the Sydney airport, we pile into a caravan of surf mobiles, camp and surf along the way to the eastern coastline for the festival.

This year, we are so proud of the Seeababes that swept the women's events! Congratulations to Karina Rozunko who placed first in the Maui Jim Sunglasses Women's Pro and second in the Goddess Women's Open, Mele Saili who placed first in the Goddess Women's Open and Lola Mignot who placed second in LED Design Junior Women.

For full results go to the Noosa Festival of Surfing website HERE.

Karina Rozunko during one of the heats at the Noosa Festival of Surfing 2015. Photo via Noosafestivalofsurfing.com

Mele Saili after one of her heats at the Noosa Festival of Surfing 2015. Photo via Noosafestivalofsurfing.com
Cool and confident, Makala Smith at the Noosa Festival of Surfing. Photo via @letmesea on Instagram.

Another great shot of Mele Saili leaning in. Photo via @letmesea on Instagram.

Winner of the Women's Open Mele Saili during the final round. Photo by Narrow Path Media.

Second place in the Junior women's, Lola Mignot goes in reverse. Photo by Narrow Path Media. 

Another one of Karina Rozunko flying, winner of the Women's Pro. Photo by Narrow Path Media.

Congrats again to the Seeababes who placed and competed!


MORE SURF FESTIVAL FUN:

Adventures in Oz: Byron Bay Beauties x The Drifter

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Lola Mignot in Byron Bay, photo by Ming Nomchong. 
The anticipation was rising, and Byron Bay's famed glassy perfection didn't disappoint.

Being foreigners in roaming cell phone tower zones, connecting in real life with our Aussie family branches was a game of comment tag through Instagram posts and email chats on stolen Wi-Fi. And when the stars finally aligned for California Seeababes Mele Saili and Lola Mignot to share waves with Byron Babes Chrystal Dawn Fitzgerald, Lauren L. Hill and photographer Ming Nomchong, it was heaven-sent fun.

Special thanks to Ming Nomchong for capturing the blissful session. Don't miss her blog, The Drifter for more salty inspiration.

Mele Saili wears the Seea Swami's in Blue Fossil. Photo by Ming Nomchong.
Lola Mignot wears the Seea Mundaka Wrap Top and Solimar Bikini Bottoms in Luna. Photo by Ming Nomchong.
The inspiring Lauren Hill slices through the crowd. Photo by Ming Nomchong. 
A brilliant dance. Photo by Ming Nomchong. 
The graceful gliding of Mele Saili. Photo by Ming Nomchong. 
Chrystal Dawn Fitzgerald wearing the Leucadia High-Waist bottoms in Luna. Photo by Ming Nomchong.
Lola over the edge. Photo by Ming Nomchong. 
Filmmaker Nathan Oldfield joined in the fun. Photo by Ming Nomchong. 
Bing surfboards team rider, Lauren Hill. Photo by Ming Nomchong. 
Lola Mignot. Photo by Ming Nomchong. 

MORE SEEABABES IN OZ:

Crystal Cove: Vintage Summers in the Wild California Shore

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Emily Sanders wears the Tofino in Blue Tide at Crystal Cove. Photo by Gabe Sullivan. 

Imagine discovering the wild California coastline. No PCH, no suburbs — just endless land meeting the raw sea. Pitch your tent on any flat patch of earth in the shade of ancient trees, sleep on the sand, and camp out until the wind changed. In the early years of California’s development, the history of Crystal Cove located between Newport Beach and Laguna Beach began as a free-spirited community of beach bums, mixed with the halo of Hollywood.

The 1930s and 1940s was the golden era of Crystal Cove as a summer haven, making it a perfect location for a vintage-inspired Seea photo shoot. With photographer Gabe Sullivan, we sought to capture the natural California seascape and neighborhood, as it was decades ago.
Crystal Cove. Photo by Gabe Sullivan. 
Behinds the scenes of Crystal Cove photo shoot. Gabe Sullivan shoots in front of the expansive cliffs. Photo by Luki O'Keefe. 

Surrounded by cliffs and agriculture farms, Crystal Cove was part of the huge 125,000-acre Irvine Company Ranch — yes, that’s the same Irvine family that the city of Irvine is named after. Around the 1920s and 1930s, the Irvine Co. was riding the tinsel town swell and hired a Hollywood technical director to manage camping, beach access and filming production. Moviegoers thought they were seeing Hawaii or Tahiti on the big screen, when in fact it the thatched huts and long-fronded palms were in Crystal Cove! 

The film crews started setting up tents along the beach, and legend goes that the shacks (which would later become the Crystal Cove Cottages) were built with scraps from shipwrecks that floated ashore. The blossoming beach community thought living at the beach for free was amazing so they stayed. 

The Irvine Company wasn’t one to break up the party, so they just started charging rent and formalizing the camping leases. Kicking off on Memorial Day, families would return year after year to their leased spots for the duration of the summer. These glory days lasted up until the mid-1960s, and then in 1979, the land was sold to the state of California. 

With the help of the Alliance to save Crystal Cove, the area was preserved from being turned into luxury resorts. Instead, the cottages were restored to the nostalgic glow of 1930s to 1950s era of Crystal Cove, and made available to rent for visitors to experience vintage California. Step back in time with us to these historic decades.

Photography: Gabe Sullivan
Models: Sierra Sullivan, Emily Sanders, Ashley Leines, and Michelle Miller
Makeup: Elizabeth Root
Hair: Cassie Bowerman

The Zuma Surf Suit in Black Stripe. Photo by Gabe Sullivan.
From left, the San O One-Piece in Coral, Tofino One-Piece in Geo Gold and Leucadia Bikini Top and Skirted Bottom in Luna. Photo by Gabe Sullivan.
The Palmas Surf Suit in Nautique. Photo by Gabe Sullivan.
The Tofino in Geo Gold. Photo by Gabe Sullivan.

The Zuma Surf Suit in Burgundy. Photo by Gabe Sullivan. 
The Mundaka Wrap Top in Earth Waves and Palisades High Waist neoprene shorts in Black Smoothie. Photo by Gabe Sullivan.
The Belmont Romper in Prarie. Photo by Gabe Sullivan. 

The Hermosa in Earth Waves. Photo by Gabe Sullivan. 
From left, the Chicama Top in Rosa worn with the Avalon Overalls in Deco Waves, the Lima Romper in Purple Sail; and Mundaka Wrap Top in Luna worn with the Nosara Bottom in Verde. 
Vintage cameras in the cottage. Photo by Luki O'Keefe.
The Chicama Top and Balboa Leggings in Porto. Photo by Gabe Sullivan.
From left, the Cambria Top in Black Stripe worn with the Chicama Bottom in Porto; the Chicama bikini in Rosa; and the Tofino One-Piece in Blue Tide. Photo by Gabe Sullivan. 
The Riviera One-Piece in Rosa. Photo by Gabe Sullivan. 

Crystal Cove Collaborators: Meet photographer/model duo Gabe and Sierra Sullivan!

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Sullivan family portrait. Photo by Ben Sasso. 

The photographer/ model duo Gabe and Sierra Sullivan have had their share of traveling to dream destinations for work (South of France and Bali are a few), but their perfect Saturday doesn't require a film location scout and plane ticket. Cruising up to their local Laguna Beach spots in a green striped vintage 1972 VW surfmobile, shaking out artisanal beach towels and unpacking a hand-shaped log, the Sullivan family is their own lifestyle photo shoot of effortless California cool.

Their covetable beach accessories aside, we've been longtime fans of Gabe and Sierra's natural aesthetic chemistry. Gabe photographs and writes the longstanding column “Curious Gabe” in Surfer Magazine, and is the West Coast Editor of Men's File magazine. Sierra has been a model since the age of 17, appearing in campaigns for Prada, Ralph Lauren and slews of runway shows.

Given Gabe's keen portrait eye and appreciation of vintage surf culture, plus Sierra's high fashion knowledge with a casual SoCal twist, we were excited to collaborate with the couple for a Seea photo shoot in the historical cottages of Crystal Cove.

“Because we know each other so well, we’re able to understand what the other person needs to get the job done," explains Sierra of working with her husband. "Of course, as with any intimate and close relationship, we can get impatient with each other too! But it always ends up being a positive experience."

We spoke more with Gabe and Sierra about shooting together, and balancing career and family time.

Sierra Sullivan wearing the Leucadia in Purple Sail at Crystal Cove. Photo by Gabe Sullivan. 

What was the concept for the Crystal Cove shoot? What unique character about the location did you seek to portray in the photos?

Gabe: The concept was to play off the beach cottage architecture and capture a classic California day by the sea. It’s incredible to imagine what it might have been like to be among the families living there at Crystal Cove during the ‘30s, 40s and 50s, so capturing some of the architecture, the homes that is, where the original local people lived, was something I felt compelled towards.

Gabe, you shoot a lot of portraits for your Curious Gabe column. Why do you like shooting portraits?

Gabe: I like portraits because it’s an opportunity to get to know someone and to be creative. With portraiture, my goal is always to capture an authentic emotion, and the best way to do that is by taking time to get to know the person and engage them in conversation. So there is the artistic side, paying attention to lighting, composition etc., and there is also the social aspect, and I love both.

Sierra Sullivan wears the Hermosa Surf Suit in Luna in the Crystal Cove Cottages. Photo by Gabe Sullivan.

Sierra, you started modeling in your teens, which is a lot of responsibility to take on at a young age. What did you learn about yourself during that time?

Sierra: That I absolutely loved to travel and the career was a perfect fit for me! I learned how to be professional at a young age and developed street smarts from living in foreign countries. It was certainly a type of education I would have never received in college.

What were some of the most memorable photo shoots that you did when you were younger and why? 

Sierra: There are countless and hard to pick even just a few! My most memorable are doing the Prada campaign, several photo shoots for Ralph Lauren with famed photographer Bruce Weber, my first Vogue and Harper’s Bazaar editorial shoots, and Australian Vogue in New Caledonia, a French Pacific island.

Sierra Huisman (her maiden name) in the Prada campaign in 2000, photographed by Robert Wyatt.
Sierra Sullivan in a beauty editorial. Photo courtesy of Sierra Sullivan.

How has your career changed and evolved since becoming a mother?

Sierra: I would have to say it hasn’t changed too much, except that now I have more photo shoots with my son, which is very fun!

Do you all travel together when one of you is sent on location for shoots?

Gabe: Whenever possible, yes. When our son was 4-months old, we all went to the South of France together for a shoot.

Sierra: For the first year or so after Elijah was born, we did, since I was nursing him. But after that, if only one of us got a booking, we didn’t all need to go together. Now, if we do, it will be because we all booked a job together, or Gabe and I together.

A Sullivan family photo shoot. Sierra, Gabe and son Elijah. Photo courtesy of the Sullivan family.

What do you have to consider when traveling with children?

Gabe: Kids fly free up until two-years-old. After that, road trips become much more economical.

Sierra: It’s a lot more complicated when traveling with a child under two, with all the baby gear and stuff that babies generally need, like strollers and diapers. Now that Elijah is five, it’s super easy. Packing for him is no different than for us, really. With a child, you’re definitely not as free to relax whenever you want or need to, nor are you able to go out at night (unless you’re somewhere where there’s child care you’re comfortable with), but it’s also really fun to share new places with our son and we always have the greatest time.

Sierra, How do you describe your style? What are your favorite outfits right now and why?

My style ranges from beach chic to uptown classic. I always try to keep it simple and on the classier side with a trendy twist, if I’m in the mood for it. My style icon at the moment is Emmanuelle Alt, the editor-in-chief of Vogue Paris. I’m loving my skinny jeans with my Isabel Marant booties and loose tops.

Sierra wearing the Capitola Top in Geo Gold (reversed) and Laguna pant in Deco Waves. Photo by Gabe Sullivan.

Sierra, We’ve read that you are diabetic. How has living in California versus NY help you maintain a healthier lifestyle in general?

Sierra: Here in California, the body types that are in demand aren’t quite as extreme as New York, which afforded me the ability to be more relaxed about my diet and lifestyle. There is a lot less stress here, too, being surrounded by more nature and while there is still a ton of people living here, it’s much more spread out than in New York so you don’t feel quite so cramped.

At the end of the day, though, how you cope with life and stress determines your health just as much if not more than where you live. Living in California certainly makes it feel easier in some ways. No matter what though, diabetes is a challenging condition to live with and I always strive to do my best with managing it. So far, so good!

Their VW van! Photo courtesy Gabe Sullivan. 

What is your perfect family beach day? 

Gabe: Saturday is our go-to beach day. We pack up some yummy food and our boards and head down to one of the beaches nearby where we live. Now that the open-air Trolleys are running again here in Laguna, we’ll be jumping onboard and enjoying that as part of our experience more often as well. The perfect beach day is filled with good vibes, good waves, good food and good friends.

Sierra: The perfect day is a bag full of books, magazines, yummy take out from a nearby taco shop, 82 degree weather with 75 degree water, mellow waves and plenty of shade mixed with a swim in the ocean.

Thanks Gabe and Sierra! We are so happy with the shoot and can't wait to work with you again! 


Sierra wears the Laguna pant in Deco Waves. Photo by Gabe Sullivan.
Sierra Sullivan in the Chicama Top and Balboa Leggings in Porto. Photo by Gabe Sullivan.

MORE BEACH FASHION:


CLICK TO SHOP ALL THE LOOKS FROM THE SHOOT! 

Introducing the 2015 Vans x Seea 2015 Collab!

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Introducing the Vans x Seea 2015 collection!

From rushing out the door for dawn patrol to huddling around the beach bonfire, Vans shoes have been on our feet throughout our happiest summer moments. Following up last year's epic first collection, we're excited to present the 2015 Vans x Seea collaboration, now available for future seaside adventures!

Vans footwear designer Lindsay White first discovered Seea in the Fall of 2011 while shopping at Thalia Surf Shop in Laguna Beach, California. Lindsay says she instantly fell in love with Seea’s unique point of view on women’s surfwear and fashionable instinct. She reached out to collaborate with Amanda for a special capsule of women’s shoes in the Vans Surf category, which offers a modern twist on classic styles for people who live a surf-inspired lifestyle.

The result was the Vans x Seea 2014 collection! For the full story of how the first Vans x Seea collab came to be, click HERE.

After the success of last year’s edition, we were stoked to create a second capsule for 2015, inspired by the jungles of greenery under the ocean’s surface and golden California sunsets.

Here, we dive deeper with designer Amanda Chinchelli into the inspiration behind the collection.

SELVA MARINA PRINT

"This original watercolor seaweed print is called Selva Marina, which loosely translates from Italian to “jungle of the sea.” It is wild and powerful like the living jungles in the depths of the sea." - Amanda Chinchelli, Designer of Seea

Inspiration behind the custom Vans x Seea "Selva Marina" print.

The Vans x Seea "Comina" slip-on in Selva Marina print. Photo by Luki O'Keefe.

The Vans x Seea "Comina" slip-on in Selva Marina print. Photo by Luki O'Keefe.

SUNSET METALLICS

"Seea swimsuits like to play with textures, and the contrast of matte and shiny fabrics. For the Vans Rhea lace-up sneaker, we chose a slubby metallic woven fabric, and tiny gold polka dots against the matte fabric for just the right amount of light-catching shine." - Amanda Chinchelli, Designer of Seea

Inspiration behind the "Rhea" mid-top.

The Vans x Seea "Rhea" midtop. Photo by Luki O'Keefe.

The Vans x Seea "Rhea" midtop. Photo by Luki O'Keefe.

Shop this exclusive Vans x Seea collection at Vans.com or Thalia Surf Shop!




Lessons in the Land Down Under by Leah Dawson

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Leah Dawson ducks into the green room in Australia wearing the Zuma Surf Suit in Black Stripe. Photo by Nathan Oldfield.
"Less is more" in the Australian outback. Seeababe Leah Dawson surfs her face off and shares the lessons she learned during her recent trip to Oz. 

by Leah Dawson

Australia is a land of wonder. I’ve traveled there three times now, and each experience has brought profound happenings that undoubtedly influence the path of my life. This third time embodied themes like, ‘learn from the past’, ‘in the flow’, and ‘less is more’…

I flew straight into an unique surf invitational hosted by a coffee shop called Glass, where I joined a collection of surfers who all marveled and chose from 35 1960’s Hayden Longboards, each in mint condition, all different, all heavy.

I listened to participants speak about the subtleties, the uniqueness of the resin colors at that time, the age of board by the fin design, the way the board responds in the pocket. Their excitement invigorated me; such a respect, and too, knowledge about our past, and application into their present surfing.

Leah Dawson holds the board that was surfed in Morning of the Earth. Photo via @leahloves

Leah Dawson heads into the ocean, wearing the Seea Zuma in Black Stripe. Photo by Chrystal Fitzgerald.

At Noosa, I was in the sea for nearly every bit of daylight when the cyclone showed up. At times there would be 60 people on the break and 30 of them were the best men and women on logs in the world. The Noosa Festival is the largest surf event in the world, with over 600 competitors this year. I picked the most crowded week to be in Noosa, but many of my heroes were there, and I got to share the sea with them. Tom Wegener, Thomas Campbell, Devon Howard, Derek Hynd, all zooming past me with grins on their faces.

Leah Dawson in the Zuma in Black Stripe. Photo by Shelly Dark.
Some of my favorite moments of the trip were the intrinsic gathering of Seeababes in the lineup at TeaTree. It was my first time being around all the girls at once, and the joy and innate beauty we brought to the lineup was undeniable to every one.

We spent hours sitting on our boards waiting for sets, laughing, Makala laughing the loudest and raising everyone’s fun meter. We traded off waves, all inspired by each other’s unique style and movements, singing, whistling, laughing, dancing as we all did circles and circles in the bay.

It was the first time I’d met and seen Lola surf, and I sat mesmerized in the lineup by her posture and creativity while riding. Karina and Mele both shared epic performances in perfect waves in front of a huge crowd on finals day, showing the longboard community that women are uniquely gorgeous perched on the nose in the pocket. Hallie impressed everyone with her seamless transitions between goofy and regular nose rides, with a technicality and style we may only elsewhere see in CJ Nelson. Each of these ladies carries an elegance with her surfing; surfing for her soul and camaraderie with the ocean and her friends above all else.

Leah Dawson in trim. Photo by Albert Falzon.
Mele Saili in Australia. Photo by Nathan Oldfield. 
Mele Saili wears the Swami's in Blue Fossil. Photo by Nathan Oldfield.
Makala Smith, standing confidently, wearing the San-O in Coral under a shirt. Photo by Nathan Oldfield.

I decided I wanted to surf as simple as possible on the trip, to move slowly, delicately allowing the board to find the fastest parts of the wave. It was reiterated to me countless times how powerful simplicity and minimal effort speaks volumes by the surfers I look up to. Just standing there has never felt so good.

After 60 hours in one week in the water, and not keeping up with my normal alkaline diet, a small cut from the rocks began into an infection. I was forced to rest, and did so in the company of legendary Australian Surf Filmmakers, who shared with me hours of wisdom and insight. As I reluctantly started a course of antibiotics to stop my knee from the growing infection, I too learned the medicine can be a lifesaver and that I am grateful for Western, Eastern, and all medicines. It is up to us to know what we are allergic to, and what benefits us.

As I rested my knee-with-a-fever, my new wise filmmaker friends reiterated their adoration for simplicity in surfing, working life in the flow, less is more. There were hours of discussing intuition and learning how to turn up its volume.

A quote I heard and will never forget sums it all for me, “The closer we get to pure source, the less choices we have to make."

Just as like riding a wave, the closer we get to oneness with the ocean while we surf, the less deciding we do on the wave, and the more in the flow we become. Becoming in harmony with the ocean teaches us this simplicity that is so very healing and applicable to every walk of life.

Leah Dawson wears the Swami's in Tiles. Photo by Nathan Oldfield. 
KEEP TRAVELING THROUGH AUSTRALIA:

Magic of Real Film: Photographer Joni Sternbach's Tintype Portraits

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Karina Rozunko wearing the Tofino in Blue Tide and Charlotte Shanahan wearing the Zuma in Black Stripe. Photo by Joni Sternbach.

At the tap of our camera phones, pixels light up to become images in our hands pretty much anywhere we are and any time we want. It’s easy to forget that taking photos used to be a lot of work. The click of a real button, the sound of film winding, the thoughtful marinating in a bath of chemicals and then hanging to dry. Actually taking the photo? That’s the easiest part says Brooklyn, New York-based photographer Joni Sternbach.

“It's the preparation that takes the most time and scrutiny,” she explained. “Making sure my chemistry is ‘groomed,’ mixed well, aged to perfection (if only it were like a fine wine) all contribute to giving the end result its character.”

Joni Sternbach’s photographs using a large-format camera and the nineteenth-century wet-plate collodion process in which she hand-pours the plates and develops on location are immediately captivating. Her otherworldly tintype portraits of surfers on the shore have been compiled into the art books: “Surfland” published in 2009 and most recently “Surf Site Tintype” published this year.

On one of Sternbach’s trips to the West coast, she met Seeababe Karina Rozunko and her friend Charlotte Shanahan on the beach in San Clemente (wearing Seea surf suits, naturally). The photos that resulted from their encounter took our breath away in the textures of the print, and how authentically vintage they appeared.

We caught up with Sternbach to find out more about why she loves to shoot real photographs and how surfers came to be her subjects.

From left, Charlotte Shanahan and Karina Rozunko taken in San Clemente. Photo by Joni Sternbach.

How did the portraits that you took of Karina Rozunko and Charlotte Shanahan at San Onofre come about?

I met Karina through the surfer, Jen Smith. I was headed south to San Diego and San-O was on the way, so we decided to meet there. I made just a couple of plates when 'the ranger' showed up. He took one look at our dark tent and decided we were a big production and that we needed a permit.

I explained that I am an artist, not a commercial venture and that I wasn't hired by a company to make these pictures, but that I do it all on my own. That did not faze him in the least. He watched over us like we were teenagers about to strip naked-and skinny dip illegally in public. It was rather ridiculous. He allowed me to take one film shot… and to be honest, if he hadn't hassled the shit out of us, I might never have made that picture!

We found another spot to shoot at that was quite beautiful, filled with the emptiness of western imagination.

Karina Rozunko wears the Tofino. Photo by Joni Sternbach.

Tell us about your career as a photographer. When did you start shooting and discover that you liked photography as your medium of choice?

I first started taking pictures in college. It was a required course at the art school I attended. My first successful picture was a still life of a cheesecake with a slice cut out of it. Not that I'd advise anyone out there to base a career choice on a single image like that, but something about how ordinary the picture was, combined with the black and white chemistry and magic of watching the image develop in the darkroom struck me and stuck with me.

I switched my major from fine arts and made a choice to be a photographer. I studied with people who mostly shot on the street and learned to tell a very personal story by pointing the lens outward. My first body of work was (made over a period of time) on the subway. Back in the ‘70’s, NYC was a tough place and photographing in the subways was illegal. I used a quiet range-finder camera that I wore around my neck under my coat with a preset focus. I guesstimated the image frame based on the wide-angle lens I was using. Raising the camera to my eye drew a very different response from subjects, so I tried to minimize that action.

Karina Rozunko wears the Tofino. Photo by Joni Sternbach.

How did you discover this method that you currently use of the wet-collodion process?

I learned the wet-collodion process, which includes the tintype from John Coffer, one midday summer in 1999. John is an unconventional man who lives a 19th century life on a farm in upstate NY. He teaches workshops on the process and hosts a big jamboree on his farm every summer for all the crazy wet-platers out there in the world.

What were your first photos using the medium?

I started shooting near the ocean, where I had been making these close-up, abstract images of the ocean surface, called 'Ocean Details.' Making pictures by the shoreline was a practice I was becoming committed to. The wet-plate medium has very specific sensitivities and insensitivities that make photographing certain subjects challenging, however it reads textures really well, which meant there had to be a strong subject amidst the landscape. I found remnants of civilization and life along the shoreline, so I aptly named my first series "Abandoned." They were haunting ambrotype and tintype images that felt like they could have been taken a hundred years ago.

Ocean details by Joni Sternbach. 

Ocean details by Joni Sternbach.

What fascinates you about it?

The medium is wet which makes it very specific; it's super slow, so all my exposures are relatively long. Long exposures mean capturing time in motion and that's yields unpredictable and exciting results. It's also a hand poured process so the hand is involved in a way it's not in standard photography. The way I pour a plate, the way I develop my plate, fix, rinse and wash it, all contribute to the end result.



Joni Sternbach - Photographer from Johnny Abegg Films on Vimeo.


How did you begin taking photos of surfers?

I like to say … that surfers came to me. Initially, I considered them interlopers into my pristine, abstract landscape. Then I began to see that this was a place we were all interacting in, that it was a shared environment and that it was important for me to pay attention to that. These people (surfers) inhabited the landscape; maybe they were there for a reason! To me, surfers are primal; they are so much a part of the ocean landscape where I was shooting at Ditch Plains, that I am surprised I avoided them so long. But maybe, more importantly is that what I am trying to do—by photographing surfers fits so well with what they are trying to do—just by being surfers.

What is it about surf culture and environment that turned out to be the perfect subject matter?

As the series developed, I began to understand this subculture of surfers as people, who on a regular basis, seek a connection with nature and unabashedly engage in their quest for joy. That in itself was exciting and intriguing. Making the portraits of surfers seemed to capture something that was both primitive and contemporary. Their surfboards appeared like symbols or totems, revealing individual character and the wet suits and clothing were also symbolic, revealing time, place and fashion. Because the photographs are positives, the text reads backwards. This affects the way you understand the picture—glaring logos appear more like design or hieroglyphics and brand names are no longer prominent.

Karina Rozunko wearing the Tofino in Blue Tide. Photo by Joni Sternbach.

Have you tried surfing?

I was pushed into my first wave in Australia by Lauren Hill. She made it a little bit of a mission to get me on a board and I am so glad she did. I didn't stand during that brief ride but I totally got the feeling of what it's like to ride with the ocean. There's nothing like it.

What's unique in your women surf subjects?

I love photographing and working with women. I'm comfortable around them, maybe that shows. I couldn't say what exactly is unique in my photographs of them, but another photographer/surfer once told me early into the series that she felt my pictures empowered women. That was nice to hear!

Thank you Joni, you are an inspiration!

Check out Joni Sternbach’s website for more information about her, and where to find her books! For all the Californians, she will be signing her latest book, "Surf Site Tintype" on May 2nd at Paris Photo LA at the D.A.P. booth. 


Charlotte and Karina in full color. Photo by Joni Sternbach.
GET CREATIVE:

Edges of Paradise: Seeababe Ashley Johnston in Kauai

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Ashley Johnston wears the Tofino in Blue Tide. Photo by Bryce Johnson.
The Hawaiian island chain is pretty incredible if you think about it. From California, you fly across the open ocean further than the coast-to-coast length of the United States, and touch soil that’s basically the tip of a volcano spike sprouting from the depths of the sea.

On the island of Kauai — renowned as the garden island — you get the sense that inhabitants live amphibiously on the edge of endless blue water and lush jungle of rainforest. Here is where Seeababe Ashley Johnston calls home, playing on waves that break over coral reefs swarming with fish, and rinsing off in the waterfalls nestled in vines. Plunge into a few days in the life on this Eden of Kauai.

All photos of Ashley Johnston by Bryce Johnson

The road less traveled. Ashley Johnston wears the Tofino in Blue Tide. Photo by Bryce Johnson.
Hanging around. Ashley Johnston wears the Tofino in Blue Tide. Photo by Bryce Johnson.
Spot check. Ashley Johnston wears the Tofino in Blue Tide. Photo by Bryce Johnson.
Ashley Johnston wears the Tofino in Blue Tide. Photo by Bryce Johnson.

Fun little lefts. Photo by Bryce Johnson. 
Paddling into the sunset. Ashley Johnston wears the Tofino in Blue Tide. Photo by Bryce Johnson.
Practicing her cross-step. Ashley Johnston wears the Tofino in Blue Tide. Photo by Bryce Johnson.
Never get tired of these sunsets. Ashley Johnston wears the Tofino in Blue Tide. Photo by Bryce Johnson.
Pink skies! Ashley Johnston wears the Tofino in Blue Tide. Photo by Bryce Johnson.
Rinsing off in the waterfalls. Ashley Johnston wears the Cambria Top in Black Stripe. Photo by Bryce Johnson.
Sunny skies are back. Ashley Johnston wears the Leucadia Bikini Top in Purple Sail and the Solimar Bikini Bottom in Black Stripe. 
Peekaboo. Ashley Johnston wears the Zuma One-Piece in Black Stripe. Photo by Bryce Johnson. 
Ashley Johnston stoked on her new fin by Island Fin Co, wearing the Zuma One-Piece in Black Stripe. Photo by Bryce Johnson. 
View from under the surface. Ashley Johnston wears the Zuma One-Piece in Black Stripe. Photo by Bryce Johnson. 

To the next set... Ashley Johnston wears the Zuma One-Piece in Black Stripe. Photo by Bryce Johnson. 

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Swim With Me: Inside the creative world of artist and mother Julie Goldstein

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Artist Julie Goldstein and her son Frankie. Photo by Mark Tesi. 
In 2008, artist Julie Goldstein lost everything in a fire. She and her husband Mark Tesi owned Pine Surf Shop and Gallery, a successful art gallery and shop in New Jersey with Andy Davis paintings on the walls and Cyrus Sutton movie screening nights. Life was good. And then all of it — the gallery, her art studio and work inside — burned to the ground. It's the kind of devastation that could have shattered any dreamer to give up. But Julie saw it as a new beginning.

"My clients from Cardiff heard about the fire and they said, 'We have a cottage here. It’s empty for a month. Why don’t you guys come out here and just vacation and get away?'" says Julie of how she and her husband Mark ended up in California. "We drove with our surfboards [cross country] and we never went back." 

Julie has been a Californian now for seven years and the endless sunshine and waves inspired her to further incorporate her love of swimming into her artwork, and most recently motherhood (she gave birth to her son Frankie just over year ago) has been her muse. Julie's son Frankie and Seea designer Amanda Chinchelli's daughter Annabel have spent many a play dates together at the beach while the moms surf! 

In addition to her arwork of hand-carved woodblock prints and hand sewn fabric patchwork, Julie’s new venture SWM (Swim With Me) is a collaborative brand of products. Thus far it’s taken the form of ultra soft natural dyed knit t-shirts with LA dying artisans, a custom women’s wetsuit range for Japan-based Axxe wetsuits, and a forthcoming special tote bag in collaboration with Seea. We caught up with Julie to talk more about motherhood, her artwork and why East coast surfing made her tough.
Artist Julie Goldstein carving wood in her studio. Photo by Sarah Lee. 
Julie Goldstein's art prints made from woodblock carvings.  "Miss Clara T.  Hurst AKA T-BONES with babies" and "Miss Florence B. West AKA FLO with babies." 
What is your work about? 

My work has always been about women: camaraderie with women, women in history, women that I know and stories that have been passed down to me. My work re-tells these stories and often plays on the alter-ego of women in contrast to the day to day reality of each personality. I often portray women surfing and swimming, the ocean has always been a strong element in my work. Each piece tells a story that I hope instills empowerment and meaning to the "true self."

What are some examples of your artwork series about women? 

The "Women and Children on Dirt bike" series [based on observation while traveling through Costa Rica) is about motherhood and how mothers are nurturing yet fearless. This experience made me reflect on our society and how different our culture is compared to others. After watching women in Central America cruising on their dirt bikes sans helmets and shoes, I felt a desire to create a body of work that expresses the strength of these women and how they empowered me. I look at these women as role models and created each woodcut 4 feet x 8 feet to exhibit them life size.
A woodcut print from the "Mother and Children on Dirbikes" series by artist Julie Goldstein. Photo courtesy of Julie Goldstein. 


Your women’s lifesaving league series has women surfing on longboards and holding babies. Was that after you gave birth to your son, Frankie? 

The "Women's Lifesaving League" series is a body of work that tells the story of women swimmers from 1901-1911 in New York City. They challenged the rules of swimming and proved their athleticism as they raced the men in the Hudson River to gain equal opportunity as athletes. Some of the races were 23-25 miles long. These women were pioneers, badass and believed in their goals to change history forever. They started their own league and trained women to swim and save lives in the water. The stories are compelling and empowering.

I really connected to these stories and to these women. This body of work is one of my favorites thus far. The images of the women surfing were inspired by holding Frankie and how much my life changed after having a baby. The surfing pieces are metaphors for balance and how powerful surfing is to me — especially as a mother. 

While I was pregnant, I also created a few pieces of women pregnant and surfing. The water was the only place where I felt light, comfortable and my true self, especially toward the end of my pregnancy, when I could feel Frankie moving in my belly when I would go in the water. I reflected a lot about my love for the water and Frankie in my womb and how life is cyclical. I feel fortunate to be a surfer and to feel so connected to the sea.

Inside Julie Goldstein's art studio. Photo by Takashi Tomito. 

What’s the story behind Swim With Me, your collaboration project?

My art series, "Swim With Me" was the first body of work that I created after we moved to California from New Jersey, after Pine burned down in 2008. I lost most of my woodcuts and art in that fire and starting over was challenging. This body of work was about starting over, being fearless with my concepts, images and message. I decided I was going to make it about swimming because being in the water is my happy place and it is the place where I reflect and find inspiration. In the swirl pieces, I used a lot of negative space. This was something new for me. I decided to recycle wood remains from the fire and to use them in a new way, a positive way. In front of the swirls, I drew girls swimming, surfing and riding dirt bikes. Are they carrying the swirls with them or leaving them behind? Is it water or is it fire?

I created my brand SWM (Swim with me) this past year. It was inspired by the stories that I tell in my work.  SWM is a collaboration brand and allows me the opportunity to work with other designers, artists and brands to make beautiful product and accessories.  I chose the name SWM because it represents commraderie, working together and creating together. My first collaboration was with artists at Cal State Long Beach.  I worked with natural dyers to create a line of tees, tanks and bags created with organic materials and natural dyes.

SWM backpack and t-shirt by Julie Goldstein. Photo by Dane Peterson. 
Julie Goldstein trying on a sample of the Axxe wetsuit collaboration. Photo by Sarah Lee. 
One of Julie Goldstein's artworks that employs a woodcut print and fabric. Photo courtesy of Julie Goldstein. 

Your first SWM project is clothing and natural dying, how did you come upon natural dying?

I was pregnant when I started this line. I felt that I needed to modify everything I did in my studio. Maybe I shouldn’t be around paint and inks with a baby growing inside of me. My assistant said, “Why don’t we dabble in vegetable dyes?” We did a couple runs and samples. I love the way it feels, it encompasses how I am as a person. Even though it's a lot harder to produce, I also love that everything is not perfect. Each is dyed individually, each piece looks unique I love the process and colors too.

Has being a mother of a toddler changed your creative process?


Being a mother of a toddler has changed mostly my schedule rather than my process. I still produce and create in the same manner, its just that my blocks of time to work in my studio are limited. I have to give my self more time to complete work and reach deadlines. Some days I research, others I draw, carve or sew, it just depends on the project. Basically, I work when Frankie sleeps, so that can be 1 hour a day or 3 hours a day, it just depends. Finding that sweet balance has been challenging, but we are making it work. Frankie loves to be in the studio with me and soon enough will be making art with me!!

Julie Goldstein and her son Frankie. Photo by Mark Tesi.

In what ways has having a child inspired your work?

Having a child has inspired me in many ways. Frankie reminds me of my inner-child and gives me permission to explore, express and PLAY! Watching Frankie and being around children has motivated me in a new way. I also want to be a role-model for Frankie and teach him to be comfortable around materials and the creative process. We are constantly doing and creating in our home.

You say that you’re “an East coaster that lives on the west coast” even though you’ve been here for seven years. What’s the East Coast mentality?

I love the East coast and am proud to say that I am from New Jersey. The East has a different energy; Its fast, its opinionated, its loud and it knows what it wants! The East coast has seasons, which always affected my creativity, color palette and subject matter. We lived on Long Beach Island; it hustled in the summer and was desolate in the winter. The winter months were quiet, cold and helped me to focus on my studio work. I was and still am very inspired by the East coast. My friends and family are all apart of my work, storytelling and memories. As much as I love living on the West coast, I do miss the East.

How do you balance your East coast roots with west coast life now?

Mark and I are both inspired by the East coast mentality, yet love the West coast way of living. I think there has to be a balance and have finally learned where the sweet spot is between work and relaxing. We travel back home (East) quite a bit. My goal is to travel back for the summer months. My very good friend Ann Coen opened up a gallery on Long Beach Island, were I exhibit my work and sell SWM product. I would like to be back East more often to work with my clients and collaborate with artists and designers as well as find inspiration from my roots.

Julie Goldstein in her art studio. Photo by Takashi Tomito. 
"Under the Full Moon Winter" artwork by Julie Goldstein. 

What’s the surf culture like in East coast?

Surfing on the East coast is about friendship. We all knew each other and encouraged each other to surf, even on cold, snowy days. Its more intimate and everyone is stoked to be surfing. I remember even on big days, the guys were always rooting for the girls, forcing us to take off on big sets. Back when I was growing up, it was a small group of people that surfed, now it seems like everyone is surfing, including the girls!

Did you surf with any women growing up?

I had three girl friends that surfed with me as a teenager. We all got our first surfboards and wetsuits when we were 11. I will never forget those days. We would get so excited to paddle out, even on rainy, stormy days. When I was in my mid 20's, there was a group of us. These ladies inspired my first body of work titled "Team Riders."

Do you consider yourself a surf artist?

My art has a lot to do with my experiences as a surfer, however I do not pigeonhole myself as a "surf artist." There are many components to my work that tell my story and surfing is a big part of who I am and where I feel my "true self." It is my soul and I am very inspired by my relationship with the sea. The fact that I am a surfer is great because I am naturally nestled into the culture, however my work tells stories, it is semi-autobiographical and portrays many aspects of my life, people and experiences.
A woodcut print by Julie Goldstein. Photo courtesy of Julie Goldstein. 

How did you feel when you first surfed in Seea?

Wearing my Seea suit is empowering. It's a fashion statement. They are sexy without being revealing. I get so many complements on my Seea suits, I have several and want more!!

What’s next for you Julie?

I have a few collaboration projects happening right now. I just launched a wet suit line with Axxe. I am also working as an artist in resident at Carmel Mountain Preschool. I am creating an art program and studio for 250 children under the age of five. Working with children has been rewarding and inspiring!! This summer I launch a collaboration with the author Corinne Ruff, I am illustrating her book titled "The Sea" and will exhibit the show at The Ann Coen Gallery, as well as exhibiting at Bing and creating a one of kind surfboard that will be up for auction. Lastly, SEEA and I have something up our sleeves!! That collaboration will launch soon, I am very excited to work with the genius Amanda Chinchelli!!

Happy Mother's Day, Julie! Thanks so much for speaking with us and we can't wait to show everyone the new bag collaboration we've been working on together. 

Follow along with Julie's SWM project on Instagram at @swmwithme and visit her websites: swm.la and juliegoldstein1.com

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Seea in Sayulita: The CasaLove

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Karina Rozunko in the Zuma in Rose Petal and Lola Mignot in the Ensenada Bikini in Ginko. Photo by Luki O'Keefe.

In the hot midday sun, decompress from the glassy morning revelries, and the vibrating energy of the city below. Yeah, in this Mexico bohemian artist and surfer’s utopian retreat, every day here is the best day.

Chill out with Karina Rozunko and Lola Mignot out in our favorite little CasaLove nook in Mexico.

All photos by Luki O'Keefe.

Lola Mignot in the Zuma in Rose Petal. Photo by Luki O'Keefe.
Karina Rozunko in the Tofino in Black Porto. Photo by Luki O'Keefe.
On the boat. Photo by Luki O'Keefe.
Karina Rozunko in the Tofino in Black Porto. Photo by Luki O'Keefe.
Karina Rozunko in the Tofino in Black Porto. Photo by Luki O'Keefe.

Lola Mignot in the Zuma in Rose Petal. Photo by Luki O'Keefe.
Karina wears the Tofino in Black Porto. Photo by Luki O'Keefe.
Shady spot for sunny people. Photo by Luki O'Keefe.
Welcome to the CasaLove! Karina in the Zuma in Rose Petal and Lola in the Ensenada in Ginko. Photo by Luki O'Keefe.
Seize the Day! Karina in the Zuma in Rose Petal. Photo by Luki O'Keefe.
View from the top. Photo by Luki O'Keefe.
 Karina in the Zuma in Rose Petal and Lola in the Ensenada in Ginko. Photo by Luki O'Keefe.
Roof dance party. Karina in the Zuma in Rose Petal and Lola in the Ensenada in Ginko. Photo by Luki O'Keefe.

Lola in the Ensenada in Ginko. Photo by Luki O'Keefe.
Lola in the Chicama in Aquaflor top and Capitola Bottom in Aquaflor. Photo by Luki O'Keefe.
Lola in the Chicama in Aquaflor top and Capitola Bottom in Aquaflor. Photo by Luki O'Keefe.
Lola in the Chicama in Aquaflor top and Capitola Bottom in Aquaflor. Photo by Luki O'Keefe.

Lola in the Chicama in Aquaflor top and Capitola Bottom in Aquaflor. Photo by Luki O'Keefe.

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